Jess Wells

I had always thought that Druids were ancient magicians: Merlin and his group of men skulking in the shadowy forest. But Graham Robb, in his book The Discovery of Middle Earth: Mapping the Lost World of the Celts, has described a surprisingly sophisticated culture.

Here's the historical snapshot: "Fifty generations ago the cultural empire of the Celts stretched from the Black Sea to Ireland and the Highlands of Scotland. In six hundred years, the Celts had produced some of the finest artistic and scientific masterpieces of the ancient world.

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We’ve apparently been at it for 60,000 years, this fashion thing, this daily obsession with clothing. I’ve always thought of it as a feminist issue: we get paid 80 cents on the dollar and then spend a foolish portion of that on clothing, accessories and make-up, unlike men. Not to mention the Pink Tax that reportedly costs women an extra $1,350 per year because of discriminatory pricing. And it’s always been ‘women’s work’ to create both the fabric and the clothing.

Early Clothing

Surprisingly enough, there’s evidence that we were making clothing before we became modern humans (!)

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We think of the Middle Ages as a time of bone crushing drudgery but recently I’ve discovered new research that suggests that the medieval peasant didn’t work even as many hours as we do!

“Plowing and harvesting were backbreaking toil, but the peasant enjoyed anywhere from eight weeks to half the year off. The Church, mindful of how to keep a population from rebelling, enforced frequent mandatory holidays. Weddings, wakes and births might mean a week off quaffing ale to celebrate, and when wandering jugglers or sporting events came to town, the peasant expected time off for entertainment. There were labor-free Sundays, and when the plowing and harvesting seasons were over, the peasant got time to rest, too. In fact, economist Juliet Shor found that during periods of particularly high wages, such as 14th-century England, peasants might put in no more than 150 days a year.”  Read More 

I am currently reading A People’s History of the World: from the Stone Age to the New Millennium by Chris Harmon, and it makes me bristle, again, over many traditional assumptions about human history, human nature, and the position of women:

• Harmon’s analysis of the Paleolithic period recognizes that for tens of thousands of years humans lived in cooperative groups that were completely egalitarian, with no sign of accumulated wealth or social status. (It’s a fascinating concept that I’ll be digging into later.) Read More 

In studying for an upcoming trip, I have come across Queen Margaret I of Denmark, who was the “builder of the greatest personal position ever achieved in Scandinavia.” Ruling in the 1300s, she governed with “farsighted tact and caution.”

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In my search for women to write back into history…I’ve discovered three (so far) in The Paper Trail: An Unexpected History of the Revolutionary Invention, by Alexander Monro.

Monroe is suggesting that the inventor of paper was a Chinese second-century government official named Cai Lun. While Cai is “traditionally credited with inventing paper in A.D. 105… papermaking is in fact at least three centuries older than this, but it was nevertheless Cai who refined paper for more widespread use and who first appreciated the enormous choice of possible ingredients.” However, it was the Empress Deng who rose “up like a conductor and signaled the launch of Cai’s carefully honed substance across China, in a quest to harmonize the country to this new medium.” [Page 13]

“Deng Sui was the granddaughter of a Han prime minister. (Sometimes translated as Chancellor, this was the highest administrative post and involved setting the government budget.) She was born in 81 in Nanyang in the cattle country of the near North. By the age of six she knew Confucius’s Book of Documents and at 12 she had read the Classic of Poetry and the Analects, according to her official biography.  Read More 

Description of the book: Amid the violent weather of Europe’s Little Ice Age, A Slender Tether offers three compelling tales of self-discovery, woven into a rich tapestry of 14th century France. Christine de Pizan, daughter of a disgraced court physician and astrologer, grapples with her ambition to be the first woman writer of France. A doctor finds an unusual way to cope with the death of his wife. And opportunity alternates with disasters in the life of four commoners, yoked by necessity: a papermaker struggling to keep his business, a falconer with a mysterious past, a merchant’s daughter frantic to avoid an arranged marriage, and a down-on-his-luck musician with a broken guitar and the voice of an angel.

Discussion Questions:

“Raptor Among the Bluebirds”

1. Christine de Pizan works in the library where there was not a single volume written by women. How do you imagine she would feel as a result? Have you ever felt alienation at this level or exclusion?

2. It has been documented that Christine’s father was more supportive of her scholarship and desire to write than her mother. What do you think the mother’s motivation

Studying history means actively looking for surprises, despite the fact that it is focused on events from centuries and even millennia in the past. And I know enough to understand that “progress” through history is not a consistent march uphill but a journey during which we have frequently gotten lost, sometimes forgetting things for hundreds of years before circling back and re-learning them.

What has surprised me most recently is the number of important concepts and everyday items still in use that were developed in the Stone Age – the Paleolithic time from 2.7 million years ago up until 10,000 years ago.

Here’s what One Million Years in a Day(1) and other sources say that our Stone Age Sisters knew to create or use:

• The sewing needle, the oldest of which dates back 60,000 years , which also means an understanding of the components of all clothing elements – the hat, cape, sleeve and pant; form-fitting boots and shoes; and the geometry to construct them
• Linen, developed 30,000 years ago
• Jewelry, the necklace, earring (including for pierced ears), bracelet and pouch – 40,000 years ago
• Plates, bowls and vessels
• Insect repellent and mattresses, “…ancient mattresses were lined with leaves from River Wild-Quince, a tree that naturally produces an insect repellent chemical, and this may have minimized the lethal scourge of malaria.  Read More 

Where can I learn to be a blacksmith, I muttered to myself last week, as I decided to put a blacksmith in a new book project. Might be fun to learn, I thought.

The night before I had packed away my (at this point fairly extensive) collection of chocolate molds and tools, having recently sold my new novel, Straight Uphill: A Tale of Love and Chocolate to Fireship Press.

So it made me wonder: which came first, the desire to learn something like confectionary, or the desire to have a character work in a trade that, for the sake of verisimilitude, I need to learn. I don’t necessarily need to master the craft, but I need to know the smell of it, the heat, the feel of the tools in my hand. One can learn the process from a book but there’s so that you have to actually experience.

So, which came first?

I wrote the chocolatiers in Straight Uphill because I was taking on chocolate as a hobby. (I’ve never actually had a hobby. Work, writing, motherhood, relationship, house; that was all I could handle. I had never even asked myself what I might want to do as a hobby, that’s how remote the prospect was.) Chocolates moved from a temporary pastime to a dedicated hobby when I realized that I had just spent hours, transfixed, as I worked with the stuff. The ‘languid quality’ described in the WWII section of the book is how I felt making my first ganache. So, in the case of Straight Uphill, the hobby came first.

I learned to ride a horse for two reasons:  Read More 

Book Club Guide for The Mandrake Broom

Description of the book: A historical novel set in Europe 1465 – 1540, The Mandrake Broom dramatizes the courageous fight to save medical knowledge during the witch burning times and answers the question “what if the witches had fought back?” Based on extensive research of historical sources, herbal remedies and the medicines of the time, this novel has been called “is "stunningly good...tremendously involving and impressive." Meet:

Luccia Alimenti, daughter of a medical professor at the University of Salerno, Italy, destined to carry ancient texts and herbal lore into the dangerous and groundbreaking future.

Fiona, her Irish godmother